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Performance workshop with artist Soni Kum, Sunday February 19th at Pump House Gallery

Friday, February 17th, 2012

This Sunday February 19th at Pump House Gallery, Battersea, London……
MONTHLY DO
Performance workshop with artist Soni Kum
Sunday 19 February
11am – 3pm
Soni Kum, a third generation Korean artist born in Japan, will present Sacrifice, Sacral Dance at the gallery on 19 February 2012.
Join Kum for a hands-on origami making workshop from 11am-2pm, in preparation for her performance event that will explore notions of dance as a sacred ritual at 2pm. …..dance was not only for spectacle but a sacred ritual, it was essential as a healing practice, which integrates our psychosomatic state of being. When our bodies are  submerged in daily inertia, the only means to retrieve ourselves is to awaken this subdued dormant state of mind……. Soni Kum 2012

Soni Kum is an interdisciplinary artist who grew up in the North Korean Community in Japan but only spent about 8 days in North Korea when she was a teenager. Kum obtained South Korean citizenship in 2006.

The day will conclude with a talk by the artist from 3pm.

…… and last chance to see
EXHIBITION
Art, Performance and Activism in Contemporary Japan

18 January – 26 February 2012
Art, Performance and Activism in Contemporary Japan features the work of artist/activist based in Japan who push the boundaries of where art, performance and activism instersect.
Presenting visually powerful and pioneering works from the 1990′s to the present, the exhibition explores differing strategies of intervention that change how we think and act.
Curated by Fran Lloyd, Kingston University, and Rebecca Jennison, Kyoto Seika University

Admission Free

Pump House Gallery
Battersea Park, London
SW11 4NJ

Telephone: +44 (0)20 8871 7572
Fax: +44 (0)20 7228 9062
Email: info@pumphousegallery.org.uk

Opening Times

Wednesday, Thursday, Friday 11am – 4pm
Saturday and Sunday 11am – 4pm
Closed Monday and Tuesday and during exhibition installations

Buses: 19, 44, 49, 137, 239, 319, 344, 345
Train: Battersea Park or Queenstown Road
Tube: Sloane Square

 

Kingston student reports on India trip

Wednesday, February 15th, 2012

As previously featured on the FADA blog, Kingston student Karishma Rafferty won a British Council funded place on a trip of a lifetime travelling the length and breadth of India to look at new design projects. The MA Curating Contemporary Design student joined 450 other young people for the trip that will last 15 days and cover 6,000 miles. Please  visit  http://blogs.kingston.ac.uk/fada/2011/12/14/student-books-her-passage-to-india/ for more information.

Below is Karishma’s account of the trip.

On Xmas Eve 2011 I found myself standing on a crowded platform with around 600 others waiting to board the most ambitious train journey in the world. Journeying almost 8000km in 15days, the 450 participants in the group came from 24 different states in India and 23 countries worldwide. This annual journey called the Jagriti Yatra or awakening journey seeks to inspireparticipants to thinkentrepreneuriallyaround India’s development.

 Each day the train pulled in at some new part of the country and we were whisked off on 10 buses to listen to local role-model speak about their enterprises. The speakers and visits were incredibly diverse. In Bangalore we heard Narayana Murthyexplain the vision and values that his silicone-valley like IT company with over $6bn revenue while in a small village in Rajasthan,Bukner Roy explained howGranniesfrom rural areas all over the world were coming to Tilonia to learn how to be solar engineers atBarefoot College.

 Coming from a comparativelysmall country like England, it is hard for a first time visitor to comprehend the scale and diversity within India. Living on a train with people from 24 out of the 28 different states certainly helped highlight the huge differences in culture, attitudes and language across the country. Almost 70% of the 1.2bn population live in rural environments and most of those areas will each speak a language other than English or Hindi. India is filled with multi-millionaires and many cities are thriving ports for business and development. In contrast, villages such as Nerankati in Tamil Nadu felt relatively untouched my modern technology or ways of living. Need in different parts of the country vary from lack of basic sanitation and power (both in rural and urban environments) to modern issues such as lack of infostructure capable of handling the rubbish created from all the new consumer products.

 The country is morphing and developing at such a rate that it is hard to imagine how these changes will be manifest themselves in even just a few years. You’ve almost certainly heard theprediction thatIndia will soon overtake China as the largest population in the world, well it will also be the youngest population in the world meaning a big opportunity for new ideas and attitudes to blossom. Jude Kelly, Artistic Director of the Southbank Centre and Chair of Culture for the 2012 London Olympics joined us for the last leg of the journey. She spoke inspiringly in Rajasthan about the role of women within this change. In a time of whirlwind transformation in these ancient lands, social and cultural change as well as every other, is in the making.

 A running joke on the train was that everyone from Britain was a designer and every Indian was an engineer. A cliché maybe but it really felt true at the time. The train was filled with young Indians wanting to become entrepreneurs, a strange new concept to many. Explaining my design background to crowds of engineers proved a daily challenge despite it being a key aspectof many of the organisations we visited. The vision at Arivand Eye Care in Madurai is to eradicate unnecessary blindness, a widespread problem in India. By re-designing the whole system of treatment, each Arivand surgeon can treat 200 patients a day as opposed to 5 a dayin the US.The hospital nowattracts top medical students from all over the worldwho study at Arivand to learn the ethos and model that makes the (once) unbelievable a reality.

 Although my whirlwind experience was mostly spent seeing India through a train or bus window, it was enough to get a feel for the challenges and opportunities the country has to offer. It was wonderful to be surrounded by so many young entrepreneurs looking at ways to make a positive contribution to their country. Given my design background, I couldn’t help imagining the incredible opportunities for designers in the country too. This dual potential for designers and entrepreneurs to shape a country is something that I am really excited about. Change is afoot and India is at the frontier. What did I learn on the train journey of a lifetime? I learnt that there are incredible opportunities out there; the most important thing you is a vision.

 For updates on my new project, a platform for discourse on the crossovers between design and entrepreneurship follow @designpreneurProject on twitter and for more on my Indiatrip visit www.designyatri.wordpress.com

 Karishma Rafferty is a current MA Curating Contemporary Design student and a graduate of BA Graphic Design at Kingston University. 

Programming Contemporary Culture: Roundtable at the ICA

Monday, February 13th, 2012

To launch the partnership between the School of Art and Design History and the ICA, this roundtable event will explore how arts institutions are rethinking their programming strategies, and what future trends might shape programming within and beyond the cultural institution.

Speakers include:
Matt Williams (ICA),
David Falkner (Stanley Picker Gallery), Duncan Grewcock,
and David Spence (Museum of London). Charles Rice will be chairing the event.

This event will be held on  Thursday 16 March, 6-7.30pm and is free and open to all.

 

Programming Contemporary Culture
ICA Studio, The Mall
London
SW1Y 5AH

 

Kingston architecture students recreate 17th century Japanese bridge

Monday, February 13th, 2012

Students from Kingston University’s Architecture Studio 3.2 built a wooden bridge, based on the 17th century Japanese Kintaikyo design. The idea to create the reconstruction was that of lecturer Takeshi Hayatsu, who with lecturer Tim Gough devised this typical example of learning through making.

The bridge, built from sustainable sources, will be on display at the Ecobuild sustainability fair next month. It has also been featured on bdonline.co.uk, the online version of Building Design magazine:  http://www.bdonline.co.uk/news/kingston-students-recreate-japanese-bridge/5031848.article (registration required to view).

See also www.vimeo.com/36117628


 


Well-read Kingston students book themselves a spot on Channel 4

Thursday, February 9th, 2012

A short film made by two Kingston University students to highlight the plight of public libraries has been shown on Channel 4.

Illustration and animation students Joe Sparrow and Grethe Bentsen made the film ‘Ex Libris’ (Latin for ‘out of books’) as their final year project at the university in south west London. It has been shown as part of the Random Acts – a nightly series of short films which precede the channel’s documentary and music programmes between 11pm and midnight.

“Libraries are something I feel really strongly about and I’m very concerned to see that they’re under threat – and that people of my generation don’t make as much use of them as they could,” Joe, 24, said.

Ex Libris was shot in two of the university’s libraries – on the Penrhyn Road and Knights Park campuses – and in the main public library in Kingston-upon-Thames. It shows a variety of mythical creatures coming out of a book that has fallen on the floor. The monsters were made by Grethe out of cardboard and then brought to life through animation by Joe.

“The aim of the film was to capture a sense of the enchantment that you can discover in a library,” Joe continued. “It’s all about the weird and wonderful stuff you can stumble upon when you aren’t expecting it.”

The Chartered Institute of Library and Information Professionals has estimated that 600 of England’s libraries are under threat of closure due to pressure on local authority budgets.

Joe and Grethe’s film was spotted by Chris Shepherd, who commissions animations for the Random Acts and who now also lectures at Kingston.

“When I arrived at Kingston University, I had a look at some of the films that students had made over the past few years and I was overwhelmed,” he said. “Some of them were amazing – really strong on design and style.”

As well as Joe and Grethe’s film, Chris selected two other animations by recent Kingston graduates ‘I Fall Down’ by Jesse Collett and ‘What Makes Your Day?’ by Napatsawan Chirayukool to show on Channel 4.

Joe is currently working on a new animation for Cartoon Network.

Design consultancy awarded to Kingston University

Thursday, February 9th, 2012

The rise in the ageing population and an increase in the number of people with dementia are putting pressure on the NHS to provide hospital wards that care for patients who require dementia assessment. The Faculty of Art, Design & Architecture, Professor Hilary Dalke and Research Fellow Alessio Corso have been awarded a consultancy to design a specialist unit at Mile End Hospital. Designs for the colour schemes of walls, supply of flooring, visuals and signage to aid orientation, and development of the therapy area are all part of the refurbishment. Early work has involved measuring all materials to be retained such as flooring in the corridor, planning the colour changed in contiguous spaces (known to be a problem for patients with dementia), sourcing and locating the signage and visual cues for orientation. Presentation to the Community Interest Group, and completion is expected in April 2012.

Sad news – death of Professor Daphne Brooker

Wednesday, February 8th, 2012

Professor Daphne Brooker, head of Kingston’s School of Fashion for three decades, has died after a long illness, aged 84. Daphne joined what was then Kingston College of Art in 1962, saw the institution become a polytechnic in the 1970s and retired in 1992, the year Kingston became a University.

Her former students include designer John Richmond, creative director of Oasis Nadia Jones, head of lingerie design at Marks and Spencer Soozie Jenkinson, head of accessories at Hobbs Kay Morley, editor-in-chief of Harper’s Bazaar Glenda Bailey, professor of science and fashion at the London College of Fashion Helen Storey and BBC costume designer Jane Hartley.

Daphne Brooker was born Daphne Beacon in south London in 1927. The family moved to Kingston when she was five and would have been able to watch construction of the new art school building at Knights Park between 1937 and 1939. Daphne herself attended Kingston School of Art as a teenager and then, in 1946, went on to study at the Royal College of Art. It was here that she met and married artist Max Brooker.  During 1952 she was a finalist in Vogue magazine’s model contest and posed for some of the most eminent fashion photographers of the day including Anthony Denny, Norman Parkinson and Cecil Beaton.

Daphne didn’t enjoy modelling – “it wasn’t for her, she said she got bored,” her grand-daughter Elizabeth Roche said. Instead, she turned to theatre and worked in the wardrobe department at the Players Theatre and of the fledgling Glyndebourne opera company, where she met her lifelong friend, costume designer Rosemary Vercoe. She moved into education and taught at Walthamstow School of Art in east London where her students included fashion designers Marion Foale and Sally Tuffin as well as film-director Ken Russell and pop star Ian Dury. In 1956, her daughter Caroline was born and the Brookers bought a house in Canonbury in north London, where Daphne lived for the rest of her life.

She arrived at Kingston in 1962 at a pivotal moment in post war fashion history – just as the sixties were beginning to swing – and established a reputation as someone who would drive her students to maximise their potential.

Between 1970 and 1974, Kingston students won the Design and Live international student fashion competition in Switzerland for an unprecedented four years in a row – at which point they were barred from entering. The Guardian remarked on how successful Kingston students were at securing jobs at the best design houses and boutiques, including Issye Miyake and Paul Smith, as well as high street stores including M&S and Wallis. In 1983 they pulled off another hat-trick, winning the Munich-based International Sportswear competition for a third year in a row.

Daphne was a great believer in involving industry and private sponsorship in education.  She forged relationships with many big names including Monsanto, M&S and Swiss and Italian textile manufacturers. The materials cupboard at Kingston was always well-stocked with high quality textiles while the manufacturers had their fabrics promoted by up-and-coming designers.

She also decided to take the graduate fashion show out of Kingston for the first time and started looking for suitable venues in central London. Shows were held at the National Portrait Gallery, the Royal Academy and Goldsmiths Hall, attracting sell-out crowds.

“Daphne was excellent and, for all the fear she put into her students, she managed to get industry to become involved with them,” graduate Helen Storey told the Times Educational Supplement. “She pioneered that, really. She not only made the course viable but gave students the best chance of being employed at the end of it.”

Nadia Jones has similar recollections. “From day one they were very clear on how hard you had to work and how competitive the industry is. We did lots of industry-based projects and got real feedback,” she recalled in an interview with fashion bible Drapers.

“The fashion department was ruled with a rod of iron, running from nine to six,” Kay Morley recalled. “Students at other colleges could just float in. They couldn’t believe it. They said they could lie in bed all day.”

Until the 1980s, Kingston had no professors of its own – although students were sometimes taught by visiting academics with the title.  In 1981, Daphne became one of the first three professors appointed by the then polytechnic. She sat on a number of influential government advisory panels during the 1980s and was a member of the Royal Society of Arts.

In 1992, Daphne invited Ian Griffiths, a young designer working for MaxMara to do some part-time teaching. Within 10 days, she managed to persuade him to succeed her as course director. “She set the standard for fashion education,” he said. ”When she started, only Kingston, St Martins and the Royal College were doing fashion. She ran it like the iron lady of fashion - she did everything she could to benefit the industry, and her students. She wasn’t frightened of anything.”

Among the many tributes paid on her retirement, came one from the textile manufacturer and government design adviser Louis Van Praagg, who had got to know Daphne through their work on the body that awarded polytechnic degrees. Speaking to Drapers, he described her as one of his most influential colleagues “injecting her philosophy, experience and enthusiasm and bringing in ideas from other courses”.

In retirement she took up painting. “Her home is full of her watercolours – there must be more than 200 of them,” granddaughter Elizabeth Roche said.

“Daphne was ahead of her time,” Elinor Renfrew, Kingston’s current academic director of fashion, said. “Although I didn’t have the pleasure of working for Daphne, she really established the blueprint for the way design subjects are taught today. She was one of the first to get professionals from the fashion industry to come into the college – and that’s something Kingston is renowned for today.”

Professor Daphne Brooker is survived by her daughter Caroline Roche and grandchildren Elizabeth Roche and Tom Roche. The family is arranging a small private funeral and are planning a larger celebration of Daphne’s life in late spring, which her former colleagues and students will be welcome to attend. They have also set up a Facebook page, on which those who knew her can add their recollections.

Daniel Eatock: One + One, Stanley Picker Gallery, 8 February – 31 March 2012

Monday, February 6th, 2012

Daniel Eatock  One + One

Launch Day Wednesday 8 February 2012

Exhibition opens at the Stanley Picker Gallery with a lunchtime gathering from midday with Daniel, collaborators and visitors, followed by on- site preparation of initial One + One works, and a drinks reception from 6-8.30pm. All are welcome to join in at any time during the day.

Daniel Eatock’s multiform career has been defined by a series of high-profile commercial design jobs, together with a vast body of self-instigated works that manifest themselves on multiple, often participatory, platforms including his own website www.eatock.com, printed material, exhibitions, and performative actions as part of his day-to-day existence.

Developed over the course of his Stanley Picker Fellowship, Daniel has been preparing an extensive series of proposals for new object-based works that each establishes a range of formal, practical or conceptual conceits connecting two otherwise independently existing objects. Whilst remaining firmly embedded in his wider hybrid practice, these sculptural object-scenarios have also been originated as part of initial developmental research for the re-branding of the national television network BBC2.

The Stanley Picker Gallery will, at once, play host to an organised archive of original sourced objects as primary material; a constructed platform for the staging of the individual works as they are prepared and recorded; and a public display of the resulting documented outcomes, whether in print, moving-image or web-based forms.  Eatock will be regularly overseeing the on-site production and documentation of the individual works for the entire 8-week duration of the exhibition.

Gallery visitors will be invited to participate in aspects of the production process; the exhibition content evolving continually as the original objects are employed, and re-employed, in the development of the final works.

The exhibition will conclude with a celebration of all 8 weeks of One + One activity with Daniel, collaborators and visitors on Sat 31 March 12-4pm All Welcome.

Visit http://www.stanleypickergallery.org for more information.

 

Landscape and Critical Agency – 17th February 2012

Monday, February 6th, 2012

1-day Single-Panel Symposium, University College London, Gower Street, London WC1E 6BT, 10.00am – 6.00pm.  This event investigates what agency does landscape possess as a means of territorial organisation and creative production, to engage critically with the conditions that define the collective aspects of our environment.

Speakers:
Jill Desimini, Harvard Graduate School of Design
Professor Murray Fraser, UCL
Professor Matthew Gandy, UCL
Dr Jon Goodbun, University of Westminster & RCA
Professor Jonathan Hill, UCL
Jane Hutton, Harvard Graduate School of Design
Douglas Spencer, Architectural Association
Lisa Tilder, Ohio State University
Ed Wall, Kingston University
Tim Waterman, Writtle School of Design
Jane Wolff, University of Toronto
Dr Daniel Zarza, University of Alcala

Registration:  Attendance is free but spaces must be reserved in advance at http://www.eventbrite.com/event/2325977060 (includes location map)

Details online: http://landscapeandagency.woodpress.com/

Supported by UCL, The Landscape Institute, Kingston University, The Architectural Association, RIBA Research and Innovation Group and Writtle School of Design.

Visual Research: An Introduction to Research Methodologies in Graphic Design

Monday, February 6th, 2012

Congratulations to Ian Noble, Course Director, MA Communication Design, The Design School, on the highly regarded second edition of Visual Research: An Introduction to Research Methodologies in Graphic Design A complimentary review by Dawne Bell states ‘this book illuminates the potentially problematic issue of how to relate theory to practice.  It then goes on to provide a framework that enables the reader to generate an awareness of the theories and, through reflection, question their interpretation and in doing so enhance understanding.

http://arts.brighton.ac.uk/projects/networks/issue-16-january-2012/visual-research-an-introduction-to-research-methodologies-in-graphic-design