
The School of Art and Design’s Anne Massey appears on Glamour’s Golden Age, BBC4 9-10 giving her expert advice on Art Deco design and architecture. Also on the programme was Kingston University’s Pro-Vice Chancellor Penny Sparke.
The programme was reviewed by the Independent’s TV critic Brian Viner 20 October:
“Anyway, from intelligent, original drama to intelligent, original documentary: Monday evenings are suddenly a counterblast to the oft-heard lament that there’s simply nothing on the telly worth watching, and I haven’t even started on Sir David Attenborough yet. The first programme of another three-parter, Glamour’s Golden Age, was fascinating, with nicely scripted and perfectly delivered narration from Hermione Norris, whose very name could be a throwback to a more stylish era. If the Prince of Wales’s set in 1933 didn’t include a Lady Hermione Norris, it really should have done.
The thesis of the series is that glamour’s golden age was the period between the wars. The Jarrow marchers might have taken some convincing of this, although even they were touched by the democratisation of glamour, exemplified by Art Deco picture palaces.
Last night’s programme focused on architecture and design, and was enhanced by just the right number of talking heads, all of them making eloquent and pertinent contributions, which is not always the case. One of the heads even suggested that the notion of “streamlining”, an offshoot of Art Deco and increasingly evident through the 1930s in buildings, furniture, planes, trains and automobiles, was eventually applied to the human body itself. The theory went that the eugenics movement, founded in Britain but embraced most wholeheartedly in the United States, and essentially adopted as a creed by the Nazis, represented an attempt to streamline humanity. It was provocative stuff, connecting Busby Berkeley to Adolf Hitler. And apparently the perfect product of 1930s streamlining was the Spitfire, although by the time the Spitfire enjoyed its finest hour, Art Deco was discredited as a decadent, failing architecture. I hope I’ve got that right. If I haven’t, it’s not for the want of trying. In 20-odd years as a TV reviewer, I’ve never scribbled quite so many notes.”